After taking a few days to tweak my choices and figure out what I like best, I've settled into a really nice routine: Aurora Borealis as the Bedtime Cue, an hour of Forest Wind as my Wind Down and a Noise Mask of Brown Noise to play throughout the night. I love how easy it is to set the nighttime routine in motion once it's established. When I hear the Aurora Borealis come on, I start making my preparations for bed. Brush teeth, take meds, lights out and, crucially (I'm trying really hard to be disciplined, here), my phone goes face-down on the nightstand until morning. If I want to stay up late that night and ignore the Bedtime Cue, I can just hit the little stop button on the display. But once I'm ready to actually try to fall asleep, all I need to do is swipe down on the display to initiate the Wind Down, and Forest Wind will start playing.
Where they are almost perversely proper, polite, and put-together, he seems a weary whirlwind, embarrassed to be caught mid-spin. The conflict they encounter is not one of shouting or smashed plates, but swallowed arguments and a shared grief they can't bear to say aloud. So instead, they'll be civil and stay on the surface with small talk. Yet the visual storytelling and nuanced performances Jarmusch knits together allow the audience to probe deeper than these preppy siblings can dare.
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